To break the blog hiatus, I present you with: shameless plugging!
Within the next couple of weeks, Log 19 will be on the shelves (CMU has a subscription, so if you’re in Pittsburgh, you can find it in Hunt Library). There are a lot of articles in this issue that are particularly relevant to discussions we’ve had both here and in studio, which is partially why I’m mentioning it.
“Interest in the social dimension of architecture is again gaining ground. Log 19 investigates the reemergence of questions such as what role can or should architecture play in society. The parametric is alternatively valorized and disavowed; the ultimate consequences of climate change and environmental catastrophe are raised; and a new course for architecture is found in Badiou’s philosophy and Finnish architecture.”
In your perusal of Log, beware. In the words of Kazys Varnelis: “Note that a brief glance in the bookstore won’t suffice. Like any good naughty magazine, the issue is shrink-wrapped and if you unwrap it your fumbling efforts will be visible for all to see.”
Thanks Talia. On a graphic design note, what is that delicious font?
Who is featured in Log 19?
The first link takes to you the contents of 19, but I’ll post them here, too.
Ross Adams, Approaching the End: Eden and the Catastrophe
Noam Andrews, Climate of Oppression
Aleksandr Bierig, Places of Exception
Marta Caldeira with Emma Bloomfield, Sharp Flats
Petra Ceferin, What is Architecture the Name of Today?
Frank Gehry, Two Lithographs
Thomas de Monchaux, Blue in Green: Notes On “Rising Currents”
Natanel Elfassy & François Roche, Stuttering Fall
Max Hirsh & Jonathan D. Solomon, Does Your Mall Have an Airport?
Craig Hodgetts, A Provisional Genealogy for OCTA.BOT®
Wes Jones, Architecture Games
Eric Owen Moss, Introducing Abraham
Eeva-Liisa Pelkonen, (Un)timely Saarinen
Christopher Pierce, In Praise of the Harpoon
Portfolio, This Is the Way It Could Be?
Georges Teyssot with Olivier Jacques, Inhabiting a Spline: The Making of Metropol Parasol
Thomas Weaver, Sin Sitte
Allen S. Weiss, Impossible Possibles
Also, to answer your question: the font is Tribute.